Works — Jeremy Lau

dyson supersonic nural

documentary

Camera: Sony FX6, iPhone 15 Pro
Negative Format: 4K XAVC-I, 4K Prores HD
Aspect Ratio: 16:9
Lenses: DZO Vespid Primes

Piece of Mine

Documentary

Cameras: Sony FX9, Sony FX6
Negative Format: 4K XAVC-I
Aspect Ratio: 2.39: 1
Lenses: Leica R Primes (primary)
Lenses: DZO Catta Ace (zooms)

A Feeling of Music Playing

Documentary

Directed by: Ong Kah Jing

Produced by: Lau Xuan Kai

Cameras: Canon C500ii, Canon R5, Canon C70
Negative Format: Canon Raw Lite 6K, 4K
Aspect Ratio: 2.00:1
Lenses: Leica R Primes (primary)
Lenses: Canon 20mm (wide), Laowa 12mm (ultra-wide)

Preview

Dyson Submarine

ad

Agency: Edisen

Camera: ARRI Alexa Mini LF
Negative Format: 4.3K Prores 422
Aspect Ratio: 16:9
Lenses: Zeiss Supreme Primes

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Sell Out

Music Video

Directed by: Eunice Wong

Camera: Sony FX9, Sony FX6
Negative Format: 4K XAVC-L
Aspect Ratio: 16:9
Lenses: Sony Power Zooms

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The Last Wish

short

Directed by: Victor Gan

Produced by: Layla Wei

Camera: Sony FX6
Negative Format: 4K Sony XAVC-I
Aspect Ratio: 2.00:1
Lenses: Leica R Primes

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Game for Life

Documentary Series

Directed by: Ong Kah Jing

Cameras: Canon C500ii, Canon C300iii, Canon C70
Negative Format: 4K XF-AVC Long-GOP
Aspect Ratio: 16:9
Lenses: Leica R Primes, Canon CN-E 20mm

Trailer

Grain to Can

Short

Cameras: Sony FX6, Gopro Hero 5 Session, Insta360 X2, Sony RX0ii
Negative Format: 4K XAVC-I, 4K H.265
Aspect Ratio: 2:00:1
Lenses: Sony G Master Primes, Sony Power Zooms

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